The Room
Walk into the Lakeside Country Club on a January evening during BDO World Darts Championship week and the first thing that hit you was the ceiling. Low. Much lower than you expected. Then the stage — close, properly close, not the polite distance you’d get at most venues. The oche was right there. You could read the numbers on the board from the back row without squinting.
The Main Cabaret Suite at Lakeside Country Club held 1,170 for darts. That’s not a typo. 1,170. Roughly the size of a decent-sized pub function room scaled up once. Tables and chairs arranged in a cabaret configuration around the stage — not theatre seating, not stadium rows, but the kind of layout where your drink was in front of you and the oche was forty feet away. The whole setup was circular, almost conspiratorial. Everyone could see everyone else’s face. There was nowhere to hide if the darts were bad, and nowhere to hide your reaction if they were brilliant.
The lighting was never subtle. Bright above the stage, darker out in the crowd. Players stepped into a lit box whilst the audience existed in something closer to shadow. Felt like theatre. Proper theatre, not the corporate arena variety.
January in Frimley Green
Surrey in January is not warm. Frimley Green specifically — a village that most people in England couldn’t place on a map — is the kind of place that feels genuinely cold in a way that coastal towns never do. Inland cold. The sort that gets into your collar.
I went for the first time in the early ’90s and queued outside for the better part of an hour. There were people in Santa hats still — it was that close to Christmas — and someone near me had a flask of something that steamed visibly in the January air. The queue itself was the beginning of it. You were standing outside this unassuming complex in Frimley Green, Surrey, not a glamorous postcode by any measure, and you knew that inside, the world darts championship was happening. That knowledge did something to you. It made the cold irrelevant. You weren’t waiting to get into a concert or a football match. You were waiting to get into the home of world darts.
That sense of occasion — genuine, not manufactured — started in the car park. By the time you got through the door you were already buzzing. The venue hadn’t done anything yet. The crowd had done it to itself.
The Crowd
The BDO crowd at Lakeside was not a polite sporting audience. It wasn’t aggressive either — darts crowds rarely are, whatever the tabloids used to imply. It was loud in the specific way that working-class British sporting crowds are loud: informed, opinionated, and completely unbothered about volume.
From the late ’90s onwards you had the Dutch contingent. Raymond van Barneveld won his first world title in 1998 and after that, Frimley Green in January meant orange. Proper organised Dutch fans in full orange kit, coordinated chants, the works. For a venue of 1,170 people, a block of a hundred or so Dutch supporters in the same section created something close to a wall of sound. A European football terrace energy in a Surrey cabaret suite. Genuinely startling the first time you heard it.
Fancy dress was always present, always elaborate, and almost entirely British in its specific absurdity. Daffodils. Daleks. Entire groups dressed as things that had no logical connection to darts whatsoever. The Lakeside crowd had dressed up for competitions in working men’s clubs for decades before darts got televised, and they weren’t stopping now.
The noise in that room during a close leg was something you had to experience to understand. 1,170 people on their feet, in a low-ceilinged room, roaring. It didn’t travel outward and dissipate the way it does in an open arena. It bounced off the ceiling, off the walls, back into the room. The sound had nowhere to go, so it just built.
Why Size Didn’t Matter
People who’d been to Alexandra Palace for the PDC World Championship — and I’ve been to both — often said the same thing after their first Lakeside. “I thought Ally Pally would be louder.” It wasn’t.
The PDC venue holds around 3,500 for darts. Three times the Lakeside capacity. Big screens, production values, lasers. Objectively a bigger event. And yet the noise per person was never the same. Ally Pally has a high ceiling that absorbs sound. Crowd noise rises and spreads. It dissipates into spectacle.
At Lakeside it accumulated. That low ceiling, that close proximity to the stage — a 180 on a deciding leg produced a noise response frankly disproportionate to the bodies present. You felt it in your chest. The intimacy also created accountability. A player who went to pieces did so visibly, in front of 1,170 people close enough to notice the hand trembling. A player who held their nerve did so with the crowd three feet behind them, breathing. It made the darts better.
See also: Lakeside vs Alexandra Palace — a full comparison of the two venues.
What Went With It
The BDO World Championship left Lakeside after 2019. The 2020 edition went to the Indigo at The O2 in London — better transport links, they said. About fifteen percent of tickets sold. The prize fund was cut mid-tournament. The BDO collapsed in September 2020. The contrast with Frimley Green wasn’t incidental. It was the point.
The atmosphere at Lakeside wasn’t transferable. It belonged to that specific room, that specific crowd, that specific January ritual. You can’t recreate it at a generic London arena. You can’t manufacture thirty-three years of accumulated habit and affection.
The snooker had the Crucible. Boxing had its smoky York Hall nights. Darts had Frimley Green. All of them were about what happened when a passionate crowd got compressed into a small space with something they genuinely cared about.
1,170 seats. Felt like ten thousand. And now it’s gone.
